Make-Up and Character Interpretation in Nollywood: A Study of a Tribe Called Judah (2023) and Funmilayo Ransome-Kuti (2023)
Résumé
This article critically examines the role of make-up and character interpretation in Nollywood films, with a focus on A Tribe Called Judah (2023) and Funmilayo Ransome-Kuti (2023). The study investigates how actors, costume designers, and make-up artists collaborate to construct believable characters, communicate social and historical realities, and convey cultural authenticity. Using qualitative thematic film analysis, the article interrogates the visual and performative strategies through which contemporary and historical Nigerian experiences are represented on screen. The findings reveal that disciplined performance, culturally informed make-up, and accurate costume design are central to sustaining realism, emotional credibility, and historical integrity. The study concludes that Nollywood increasingly functions as a cultural intermediary where cinematic storytelling intersects with social reflection, historical education, and audience engagement. By situating character portrayal within broader social and historical contexts, the films demonstrate the potential of Nollywood to bridge entertainment, cultural preservation, and moral reflection.
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